Or, Why A Song of Ice and Fire really isn’t that good
There are certain opinions that you cannot hold in society without receiving a tangible amount of backlash from your near and dear ones. Yet even people who have come to terms with my unorthodox views on eating, babies and the other myriad topics I choose to have an opinion on, balk at the caustic disregard I show towards a certain popular series. But here’s the deal, guys, I’ll just come out and say it. Game of Thrones (or A Song of Ice and Fire to purists, or snobs, depending on which side you’re on) isn’t really a good fantasy series.
Before we start on the meat of my arguments, let us get some definitions which I will be using out of the way. If you feel like you already know this, feel free to skip to the next paragraph. Go on. I won’t mind. To the rest of you, hello! Glad you stuck around! Don’t worry, it won’t be boring. I promise. To start off, let me put to you the question, what exactly is fantasy? A generally accepted definition would be, fantasy is a sub-genre of speculative fiction (that is fiction where you make up even more stuff than your average store-bought realistic fiction), set in an imaginary universe. It does not need to be as scary as horror, or as scientifically plausible as science fiction, which are the two main sub-genres it has to share space with under the speculative fiction heading. Now as you can see, imaginary universe is a pretty vague term, and in fact, it is quite easy to argue that anything is fantasy. Next time you want to freak out your pretentious literary friend, tell them that technically the most famous fantasy writer is not Tolkien, but Shakespeare (seriously, have you read A Midsummer Night’s Dream? Or The Tempest?). So given the vagueness of the definitions, how exactly would you characterise a work as good fantasy?
For a work to be a good fantasy, as opposed to a realistic work with fantasy tagged on to it as a background feature, the fantastical elements must add to the story. Do these elements need to always be supernatural? Not necessarily. If you want to read a fantasy story without any magic involved whatsoever, and have no clue how that is even possible, I urge you to read The Cambist and Lord Iron by Daniel Abraham (I’m feeling generous, so here). Abraham creates a fantastical atmosphere throughout the entire short story without a hint of anything supernatural involved. It is not a world where brooms fly out of windows or dragons lurk in mountain caves, but they just might, and you’d not be surprised if they did, even though they categorically do not. That is the magic, as it were, of fantasy, it’s a place where anything can happen.
Of course, achieving this is easier said than done, and to do it well for a large series instead of a novella or a short story, authors have to extensively use worldbuilding. Worldbuilding is, as the name suggests, structuring the world in which your story unfolds. Because the world of the story is, by definition, imaginary, authors need to give added effort to making it seem like a fleshed out three dimensional reality, by peppering minute details around the plot. Chocolate Frogs and Bertie Botts’ Every Flavour Beans is worldbuilding, as is Quenya, Dothraki, and Klingon. Worldbuilding is important to fantasy fans, and this is one of my major gripes with George R. R. Martin. Martin does not so much build his world as take things from our world and just change their names. The Dothraki are a race of warlike brutal nomads heavily invested in their horses. Uh, you mean Mongols? The Faith of the Seven is a dominant organised religion involving the worship of the seven aspects of a single deity. Like Christianity and the Holy Trinity? The Targaryens invade Westeros from the larger continent of Essos, which is separated by a narrow sea, sweeping over all of the fragmented kingdoms of the island and building a consolidated state, with wide-ranging socio-cultural impacts. Umm, so, William the Conqueror, basically? Trust me, the list goes on, and it wreaks havoc with my suspension of disbelief, because there is always a thread pulling me back to the real world.
Of course, you might say you don’t really care about worldbuilding (and yes, sometimes it is too much of a good thing), that’s just for pedantic nerds, and I understand completely where you are coming from (while giving you nasty looks for calling me a pedantic nerd). There are many books which are quite terrible when judged as fantasies but great when judged by other measures. One of my favourite past-times is to rile people by saying Harry Potter is a terrible fantasy story, before conceding that it is one of the best YA fiction I have ever read. The same holds true for Game of Thrones. The point is not the fantasy, it’s the intrigue and the machinations. Of course. It’s not even a fantasy story to begin with, it’s a political thriller.
And that is an acceptable view as well, except it’s really not that good even then. I’m not sure if you have noticed (spoiler alerts, just in case), but people tend to die a lot in Game of Thrones. So much so that it has really become predictable at this point of time. Whenever a character becomes powerful enough to actually resolve some of the conflict, whoops, they’re dead. If you read closely enough, you could see the Red Wedding coming from miles ahead (alas, if only Robb Stark had enough awareness for some fourth wall breaking). This is Martin’s biggest flaw, how he can never resolve an arc with anything but death. Joffrey looks like he can finally consolidate his rule, choke him. Robb finally brings about a coherent opposition, behead him. Renly finally makes an alliance with the Starks, stab him. The list goes on and on. The deaths become way too convenient and predictable. The plots never have a falling action, a tying of knots, all the build-up is always, always ended abruptly and the next arc is started. And that, folks, is why Game of Thrones kinda sucks. At least for me.
This, of course, is my opinion. If you disagree, I’d be happy to hear your arguments. Also, if you find yourself enjoying Game of Thrones in spite of all this, I’m really glad for you. And if you want to explore further, there is a huge vista of interesting, lyrical and drop-dead beautiful works out there. Let Game of Thrones be the beginning of your adventure, and not the end. And, remember, this is fantasy, so really, anything can happen.
—Korak Ray